Compose
Started with the letterform as a graphic composition rather than only as language.
A letter-based motion graphics study built around rhythm, timing, and the satisfying transformation of typography from static shape into moving image.
This study treats letters as graphic objects, using frame-by-frame movement to explore how typography can carry energy, texture, and emotion.
I animated letters A–I as individual graphic studies. Each letter is an opportunity to explore timing and transformation while retaining a recognisable underlying shape.
Started with the letterform as a graphic composition rather than only as language.
Built movement one frame at a time, shaping the relationship between anticipation and release.
Adjusted pace, spacing, and transitions until the sequence felt intentional and alive.